Sunday, September 13, 2009

All's fair in love and...movies?


The movie "Doubt." Have you seen it?

I generally steer clear from such dark and heavy big pictures, but after my Uncle named the movie #1 in his annual "Top 10 films of the year" list, I couldn't help to see what the fuss was all about. Don't worry, there is no *spoiler alert* needed for the following review, as basically nothing happens in the entire movie. Those who have seen the movie, you know what I'm talking about.

SO, let's delve in. The movie is set in the 1960's at a Catholic school in the Bronx. The entire plot is essentially a battle between a nun who suspects a priest of molesting one of the students at the school, and (obviously) the accused priest. The movie provides no proof either way, and jerks the viewer's allegiance back and forth between the opposing sides.

This trailer does an excellent job of giving you a good idea of what I am talking about if you have never seen the film:



The movie won an impressive list of movie awards and was nominated for countless others. The directing is genius, the cast perfect, and the cinematography commendable. But behind all the elements that combine to win over critics and judges, is the underlying theme an exploitation of the Catholic church? How "PC" is it to rack in box office dollars at the expense of an ultimately real and extremely sensitive issue within this world-wide religion? In this case, is all publicity good publicity?

I, for one, thoroughly enjoyed the movie (even if I hadn't, with all those awards and great reviews, how could I admit I hadn't...it would severely injure my credentials as a movie connoisseur :) . But... had the movie addressed an issue sensitive to the LDS faith, say polygamy, how would I feel about it then? Truth be told- I would have denounced the film and encouraged friends and family to boycott.

The main point of the movie, which the director intended to portray, was how lethal the concepts of certainty and doubt can truly be. But was it necessary to incorporate the Catholic church into this equation? While there was no official or public statements made concerning the movie by prominent religious authorities, some members of the Catholic faith felt their problems as a religion were being used to add controversy to the film.

This issue brings to mind the principle of schadenfreude, a German word that describes the human emotion of entertainment at the expense of others. Essentially "my pleasure is your pain." Do we, as a viewing public, demand movies that depict the pain and suffering of others- even if it means creating negative feelings towards certain religions, races, or ethnicity? How powerful are the stipulations and stereotypes propagated by movies and the general media?

For those of you who have seen the film: do you feel it affected your opinion of the Catholic church in a negative way? Were there elements of the film that could have created empathetic feelings toward accused members of the clergy?

-Aubrey Evans

2 comments:

  1. I enjoyed reading this post. I have never seen the movie but understand it's basic premise.

    Getting to your questions, I think that because the movie is set back in time it is helpful in not exploiting todays Catholic church. The church could argue that it was a different time and that they have made changes since then. I think everyone agrees, as much as we'd like not to, that the world is changing and it is become more difficult to be as religious as we once were. The time frame this was set in was one where we we just beginning to bridge that gap.

    As far as schandenfreude, I don't think the viewing public enjoys movies that put other's down, I just believe that the Catholic church is a easy target because it is a world recognized institution. The movie does propagate stereotypes which would help it sell because there have been scares of mischief within the Catholic faith. Any move that confirms viewer's suspicions is going to do well.

    The fact of the matter is, the writer didn't need to attack tender subject within the Catholic church to teach a lesson about uncertainty and doubt. We need to not be fooled by the documentary and realistic nature of this film and understand that the media areout to self products leaving anything the communicate to be taken lightely.

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  2. I think you raised some interesting ideas in this post. Particualarly about the sensitivity of the movie's subject matter regard molestation in the Catholic Church. I don't think audiences typically enjoy movies and other media when others that are different from us are put down, but I think that our curiosity my be peaked.

    I think that at first glance at the movie we may be uncomfortable with its premise, but if we look deeper at the religious convictions of the characters in the film we may see it all differently. For instance at the end of the film Meryl Streep states that she has doubts--but when she states this she doesn't mean doubt in her faith or that the Father was guilty (because she was completely undoubted about those) but rather she doubted the Catholic Church and its leadership. I don't know what the Catholic Church as a whole believes about this film and its representation of its leadership and abuse. But I can't see that they appreciate it. But at the same time, the film is made in a way that wasn't meant to offend--it was made for entertainment and it showed the Church's past abuse in a different light.

    Christina VanDerwerken Nelson

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